?

Log in

No account? Create an account

Previous Entry | Next Entry

[Reading List] Epic Madness

Kingdom Come (novelization) - Elliot S. Maggin
Infinite Crisis (novelization) - Greg Cox

I suppose that, at some point, one is expected to become accustomed to substandard writing when you read novel adaptations of other forms of fiction.

Major corporations with tons of money trying to make more would do well to note that substandard editing should be inexcusable. Of course, it does get excused when colorists and artists habitually confuse the race of a character - I mean, how can you let the colorist on Day of Judgement forget that THIS girl is black? Or the recurrent artistic amnesia or inability to portray Connor Hawke as mixed race? And the earlier Kyle Rayner artists definitely put an asian caste to the face of a character who turned out to be of Irish/Latino blood, although, to be fair, at that time Kyle Rayner hadn't been around for too long and it may not have been sufficiently determined.

Enough social commentary, back to the review. Kingdom Come is a well done novelization of a very well done graphic novel (you can tell from the additional scenes that they adapted the graphic novel and not the series). It is ruined for me by poor editing near the end. Infinite Crisis, on the other hand was an enjoyable, if mediocre adaptation of inconsistent material with a good story. I did like it... Until I read it immediately after Kingdom Come, which is infinitely better than it, and could have stood alone as a literary work, had the person who edited Elliot's text been AWAKE.

You tell me, which is the best death and reaction scene for a minor character?

...."What?" Black Condor blurted in surprise. An alarmed expression came over his face, but before he could explain, a beam of searing yellow energy burned straight through his unprotected chest, emerging from his back right between his wings. Uncle Sam had to jump out of the way to avoid being pierced by the beam himself. "Arrrr!" Kendall cried out as he died.
"Condor!" Phantom Lady shrieked.
-- From Infinite Crisis by Greg Cox

Perhaps the material Greg Cox was working with wasn't the best, but surely he could have come up with a better writing style and more realistic dialog for the deaths of the Freedom Fighters.

"I said 'two sugars,' you ignorant cow," were the last words Theresa Freed heard before Vandal Savage snapped her neck and left her draped over the back of her desk chair.
I felt a chill wave across the ether as the Spectre bristled, even before I realized that the brute had murdered the girl.  My companion had a particular aversion, it seemed, to the black-bearded immortal with the big hands.  The frustration was born of his being somehow beyond the Spectre's reach.
-- From Kingdom Come by Elliot S Maggin

To be fair, there is a marked difference in the literary quality of the stories being adapted, but the difference goes beyond that.  But I think that the quality of the writing in the novel shows a much larger difference.  From smoother description that does much to capture my memory of Alex Ross's art to smother dialog, which adds words and phrases and interchanges to Mark Waid's originals, generally without throwing the flow of the story off, and deepening the experience.  It plays to the different strengths of pure text as well as the graphic novel plays to the strengths of the medium of pictures.  (I especially enjoyed the reasoning behind Clark's vulnerability to magic.)

The difference in the quality of the writing is marked.  The opening vignette on the chapter titled "Citizen Wayne" is a priceless addition, a depiction of a happy aging Batman.  Someone that I like much better than Frank Miller's tortured psychopath even while he undoubtedly owes much to that earlier character.

Of course, Mr Maggin takes these vignettes one step too far.  In one of the last in an entire chapter of them, Nightstar takes Dick Grayson away from Kansas to the Rockies, where he awakens hours later.  Somehow, he also shows at the United Nations, when the heroes get there right after Superman comes down from his world-shattering rage. (Because he's shown there in the graphic novel, no doubt.)

Now it could perhaps work if the man who is invulnerable enough to survive the explosion and faster than a speeding bullet, and would have to be completely out of his mind in a murderous rage to even CONSIDER hurting a normal person, was either unconscious (which is never shown in either version of the story) or in this murderous rage for hours or days, as it says that several hours later, Dick flags down a truck and it takes Nightstar time to recover. She flys him into the United Nations Courtyard.

Or perhaps I'm not being fair. It is entirely possible that, on exposure to high levels of radiation, rather than getting leukemia and dying, Nightstar and Dick Grayson spontaneously generated the power of being in two places at once. Stranger things have happened in comics. It's just that usually they invite more comment.

Bad editing.  Ruining my happy story by less than 2 paragraphs.  The editor must have known, as well, because their name isn't anywhere on it.   Elliot, you should be mad at him.  If it were you, you should be FURIOUS at yourself, because, otherwise, this was one of the best books I've read this year.

Guess I can't have everything.

(copyrighted material used under the fair use provision for purposes of review only)

One should note that, to date, this is one of my most heavily edited posts ever.